Product Description

680,000-pixel CCD * digital photo mode * photo resolution options: 1024 x 768 (interpolated); 640 x 480 * Motion JPEG (M-JPEG) movie mode * slot for use with separate MultiMediaCard® or SD memory cards * 2-3/8" color viewscreen * color viewfinder * PCM stereo digital audio (12-bit or 16-bit) * variable-speed 22X optical zoom lens (digital zoom to 440X) * ... Read more

Features

• 680,000-pixel CCD
• digital photo mode
• photo resolution options: 1024 x 768 (interpolated); 640 x 480
• Motion JPEG (M-JPEG) movie mode
• slot for use with separate MultiMediaCard® or SD memory cards

Product Description

Capture Brilliant Videos With DIGIC DVThe vibrant color of a summer sunset, the exhilarating action of a championship goal, and the tender moment of a newlywed kiss are all preserved in spectacular color, clarity and detail by the ZR100. Canon's most affordable, yet exceptionally powerful, digital camcorder brings together a variety of advanced features in one stylish package. Inside the streamlined body of the ZR100 is Canon's DIGIC DV system, which delivers outstanding image quality videos. With the 20x Optical Zoom/400x Digital Zoom lens, you'll also quickly appreciate why the name Canon is synonymous with professional image quality in photography and broadcast television. Another highlight of the ZR100 is its high-resolution 16:9 widescreen recording mode, which lets you capture true widescreen videos. With the ZR100 in hand, all of life's most precious moments are yours for the taking. ... Read more

Features

• Fast and easy printing
• From camera to computer with ease
• Brilliant digital video and photography
• Vivid Canon optical quality
• The brilliance and sharpness of megapixel performance

Features

• 5-megapixel sensor captures enough detail to create photo-quality 13x17-inch prints
• Exclusive Canon DIGIC Image Processor and iSAPS technology allow faster processing speed, excellent image quality, and vibrant colors
• Includes five new Scene Modes and a Print/Share button for greater ease of use
• Intelligent orientation sensor automatically rotates images for playback
• Four novel colors with refined surface finish are the ultimate in camera couture

Features

• 5-megapixel sensor captures enough detail to create photo-quality 13x17-inch prints
• Exclusive Canon DIGIC Image Processor and iSAPS technology allow faster processing speed, excellent image quality, and vibrant colors
• Includes five new Scene Modes and a Print/Share button for greater ease of use
• Intelligent orientation sensor automatically rotates images for playback
• Four novel colors with refined surface finish are the ultimate in camera couture

Product Description

1.33-megapixel CCD * advanced DIGIC DV image processor * 16:9 widescreen video mode * digital photo mode with built-in flash * photo resolution options: 1280 x 960; 640 x 480 * 2-1/2" color viewscreen * ... Read more

Features

• Built-in slot for SD memory cards and MultiMediaCards
• Powered by NB-2LH Lithium-ion battery pack
• Compact MiniDV camcorder with 1.33-megapixel still capability, built-in video light, and still flash
• 20x optical zoom and 400x digital zoom with image stabilization
• 2.5-inch LCD screen with backlight

Reviews (1)

Canon ripped me off
I am so frustrated with my Canon Elura. Apparently Canon Eluras have a structural flaw, and after a few months using it a message to eject the tape starts to pop all the time. Some people are even considering a collective lawsuit against Canon. The camera was great when it was working. But I am pretty convinced that the fate of 95% of all Canon Eluras after 6 months are the same as mine: the garbage bin. Just check all the online reviews. If you want a "perishable" good, then go ahead and buy your Elura. If you want a "durable" good, I would recommend you a Sony. Sony pioneered the mini-dv system, and Sony cameras typically last for decades. I read the bad reviews about the Canon Elura 90 and decided to spend several hundred dollars on one. I Lost my money and my camera after a few months (Canon warranty and factory service are a joke). I took my chances. Will you take yours?
... Read more

Product Description

The EX-Z57 EXILIM Zoom for brilliant picture viewing - The extra-large 2.7-inch liquid crystal display represents an astonishingly easy-to-view screen for brilliant picture viewing without compromising its compact?s stylish design. The EX-Z57 features a 5 megapixel CCD and an optical 3X zoom lens to take photos of remarkable picture quality. Extra-long battery life of approximately 400 shots (CIPA standards) on a single battery charge assures users that they can enjoy shooting and looking at their pictures over and over again without ever worrying about the battery life. EX-Z57 EXILIM Zoom Features High Performance Operation in an Easy-to-Use, Compact Design Equipped with a large, easy-to-view 2.7-inch digital interface TFT liquid crystal display that brings out the true brilliant quality of the pictures. High-resolution images captured by the CCD with 5 million effective pixels. Optical 3X zoom lens in a very compact design Sleek, stylish lightweight aluminum body with a comfortable grip Super Life Battery For Extended Shooting on a Single Battery charge Same battery life as the EX-Z55 - but with a larger 2.7 inch LCD - Approximately 400 shots can be taken on a single battery charge (CIPA standards). Quick Response Thanks to High-Speed Design The camera automatically selects fixed-focus Auto Pan Focus mode for instantaneous response when the shutter is depressed at one push. Direct On function for one-touch operation of either picture taking or playback modes ... Read more

Features

• Powered by Lithium-ion rechargeable battery (included, with charger); stores images on SD cards (camera features 9.3MB of internal memory)
• 5-megapixel CCD captures enough detail for photo-quality 13 x 17-inch prints
• 3x optical zoom; extra-large 2.7-inch LCD display
• Fast shutter speed--images are recorded approximately 0.01 seconds after the shutter is released
• Approximately 400 shots per battery charge

Reviews (4)

A Quality Product
I purchased this camera to replace my old and bulky Dimage S414. The dimage used to take a few snaps on a single charge. This camera has a marathon battery life. I used it for my whole graduation ceremony, and coupled with a 1GB card, it served as a great digital video camera too. The profile is slim with an excellent form factor. This does not compromise on the image quality however as it does not use the new type lenses like the Canon T33, T1. (The technology is beta).
Finally, the LCD truly makes the viewfinder obsolete.
A camera from Casio thats better than anything from anybrand short of a digital SLR.

Great camera, loaded with features
Despite reading positive reviews, I initially hesitated before buying this little camera -- I wasn't sure how a Casio would stack up against brands like Canon and Nikon. But a local shop strongly recommended this model, and I decided to give it a try. I'm glad to say that I've been very pleasantly surprised by the EX-Z57's excellent performance and features.

The reason I was buying a new digital P&S in the first place was that my old Nikon Coolpix (a 775) was really, really slow; I missed way too many perfect moments or expressions waiting for that thing to actually take a picture. (In all other respects, I love the Nikon.) My other camera -- a Canon Digital Rebel -- is absolutely awesome, but it's too big and heavy to take with you without a definite reason. For day-to-day shooting around town, I wanted something we could toss into a pocket or bag. (The best way to take good photos is to actually have a camera with you when the opportunity comes up!!!)

So I was looking for a fast, small, high-quality camera. The Casio is fast -- very fast -- when starting up, shooting, and displaying images or menus. The size is perfect. And the quality of the images and performance has been very high.

While researching the Casio, I wondered about the lack of a viewfinder. Again, I've been pleased. The huge LCD is entirely sufficient for shooting pictures -- I haven't missed the viewfinder at all -- and it's great to have such a large screen to work with when you're scrolling through the various features. For example, if you want to check out the "best shot" pre-set modes, you can scroll through screens that have a title, a sample photo, and a one-sentence description of the settings/purpose. It's a lot of useful information that you simply can't display on cameras with standard screens.

The menu and controls are inuitive and easy to learn. The manual provides next to no information, but once you know what the features are -- the Casio site describes them in detail -- it's easy to become proficient.

The image quality has been great -- even for indoor photos. The "docking station" is cool, too -- you can simultaneously charge the battery and transfer images.

So while we've only had this for a few weeks, we've already taken a few hundred photos, and we're really pleased with this little camera. It's loaded with features, easy to use, and seemingly very well made. With the 5 megapixel capacity, I think it's a great buy, especially compared to comparable big-name brands.

Great product
I purchased the EXZ57 and found it to be excellent. The large digital viewer is fantastic and the overall functions is easy to use. The long life battery is a plus and the picture quality is perfect. Highly recommend!

Largest LCD in a digicam, but no more optical viewfinder
My local camera store just got their first shipment of Casio's new Exilim EX-Z57 super-slim digital camera, and I eagerly hopped over to check it out.

The EX-Z57 is a very slight upgrade (and one downgrade... read on) of the very popular EX-Z55 model.The Z55 had a 2.5" LCD screen that was considered "huge" just a year ago, but now that so many other digital cameras also sport a 2.5" LCD, Casio decided to release a 2.7" LCD model, hence the Z57.Amazingly, the overall physical size hasn't changed, and the EX-Z55's industry-leading amazing battery life (over 300 even with flash on and LCD on full-time) has been retained, making the EX-Z57 another battery life champ.

As far as I can tell -- and from what the sales clerk told me -- the internals of the EX-Z57 are identical to those of its immediate predecessor.This means very good image quality from such a small camera.Three important issues to keep in mind as you shop for this camera or a similarly ultracompact model:

1. The tiny lens and tiny sensor necessarily limit the sharpness of the picture.If you shoot at the maximum 5MP and print out at up to 5x7", you probably won't be disappointed by the sharpness of the picture.However, as you print larger pictures, you'll see the pictures tend to be softer and noisier than from larger cameras.This is simply a result of the law of physics, and it's a trade-off between size and quality.

2. The small camera also means a small, limited-power flash, so your indoor pictures when the ambient lighting is dim will not come out very satisfactory.Again, this is entirely due to the small form factor.If you want to use this camera to shoot a small group of friends at a dinner party, it's okay.But you should know that as you near the flash range and go beyond, you'll get horrible-looking pictures.

3. A camera this small makes it very hard to hold it steady.Many people with tiny cameras like this complain about blurry pictures.This is because as you press the shutter button, you'll move the camera ever so slightly.With a larger camera body (e.g., a digital SLR), the much heavier camera body requires more effort to hold which has the side benefit of providing a counteracting force to the shutter-pushing force.Hence, with a small camera like the EX-Z57, you must remember to hold the camera very steady as you press the shutter.

Whereas the older EX-Z55 had an optical viewfinder, Casio opted to remove it in order to accommodate the enlarged LCD screen without changing the overall size of the camera.Yes, the Z55's optical viewfinder was tiny and hard to use, but at least it was an option -- and looking through the optical viewfinder instead of at the screen actually helps steady your shots because you hold the camera close to your body (think the principle of leverage).Also, when you are really low on battery, switching to optical viewfinder can squeeze out a few more shots.For a camera purish like myself, it's a pity that the optical viewfinder is no more on the Z57, but for most casual photographers (the Exilim's target audience) this will likely be a non-issue, since they probably would never use the optical vewfinder to begin with.

In summary, the Z57 provides an unbeatable small form factor yet a crowd-pleasing huge LCD screen, amazing battery life and very good image quality (for a camera this size).You can also record movies (albeit only at a stuttering 15 frames per second) as well as sound.It's very intuitive to use, and my friends who have the Z55 are all very happy with it (once I gave them the tip about holding the camera super-steady or on a tripod to avoid blurs).While I don't have money to buy another digital camera at the moment, but if I had some extra spare dough, I would definitely buy this just for the HUGE 2.7" LCD.To a gadget freak like me, it's priceless to be able to impress my friends with something this cool.:) ... Read more

Product Description

The CanoScan LiDE 500F Color Image Scanner combines sleek styling with heavyweight performance. One convenient cable provides both power and a USB connection, reducing the number of wires around your desk. A USB Hi-Speed interface* enables incredibly fast image transfers to your computer, along with the fastest possible scanning speeds. Previews of your scans are ready in seconds. For added convenience, four easy buttons - Copy, Scan, PDF and E-Mail automate the scanning process, so your projects can get done more quickly. Just position your original, select the use for the image and in seconds it's ready to go.You're going to love the results. The LiDE 500F scanner delivers a maximum 2400 x 4800 color dpi resolution and 48-bit color depth, for over 281 trillion possible colors. The unique Doubled-Hinge expansion top lifts approx. 1 inch vertically and lays flat on the page to help ensure clear, sharp scans with minimal light distortion.Here's a simple solution for all those old negatives you've got sitting in boxes, just place them in the LiDE 500F's film adapter and press the Scan button! These valuable images can be archived on your computer, safe from heat, humidity and dust, and then printed for family and friends. FARE (Film AutomaticRetouching and Enhancement) Level 3 is a built-in film retouching technology that automatically removes much of the dust and scratches that may appear on your originals. The result? The final scans of dusty and scratche ... Read more

Features

• USB interface; PC and Mac compatible
• 4,800 x 2,400 dpi optical resolution, 19,200 dpi interpolated
• 48-bit color depth, 16-bit grayscale
• Double-hinge expansion top for scanning bulky items
• Scans negatives and positives with included film adapter

Reviews (5)

This was a bit of a let down
Scans photographs OK, but there are blurry areas on other images, around the edges. I've been using scanners for many years, was tempted by the slim design...just didn't work out.

The best portable scanner available today
I looked hard at the Canon Canoscan LiDE 20 through LiDE 80 series and found much to admire. Even though I am a committed buyer of older-and-proven tech products, I paid a bit extra to get the newer Canon LiDE 500F. Why? Great design, great portability, great scanning resolution, great software - all for a great price. The LiDE 80 has these too, but the latest evolution of the Canon LiDE concept embodied in the 500F goes much further.

I'm a freelance writer, and I needed a slim and portable platen-based scanner powered through a fast USB 2.0 port to avoid a separate power supply for the scanner. I have a sheet-fed scanner built into my trusty old HP OfficeJet T45, but it's only good for documents neatly printed by PC printers, not odd-sized info from books and magazines that require a platen-based scanner. I use the Canoscan LiDE 500F to "copy" info when gathering research, both with my office desktop PC and in remote locations with my laptop. I use ABBYY FineReader 7.0 optical character recognition to recreate the original document or article's text (complete with the original graphics and layout) saved in Microsoft Word. The offsite alternative to this is a crude, time consuming, and expensive hassle using a local library copier.

The LiDE 500F's double-hinge expansion top design enables the platen lid to fold away flat, so any book or magazine covers the platen for scanning without having to deal with the platen lid at all. The Canon software is quite comprehensive, covering the gamut of customized scanning needs from simple office automation to highly complex scans for graphics. A built-in stand enables the LiDE 500F to stand on its edge in the office, enabling space-saving efficiency and convenience, with it's software-automated buttons for "copying" to a printer, scanning to a bitmap file, scanning to an Adobe PDF file, and inserted a saved scan into an email as an attachment. You will especially love the one-step convenience of inserting a bill or invoice into the scanner while mounted on its edge, and having the scanned item automatically print directly to whatever default printer you preselect. The software also well supports the external film/slide adapter up to the 48-bit 2400x4800 max - including the vaunted FARE Level 3 (Film Automatic Retouching and Enhancement) built-in film retouching technology that automatically removes much of the dust and scratches that may appear on your originals. Canon's FARE Level 3 works, and works quite well to my eyes.

Is this the ideal scanner for the graphic artist or photography enthusiast? No. Desktop-only scanners dedicated to these pursuits are far superior in every way, only lacking the portability and all-round usefulness that the LiDE 500F offers for the price. The LiDE 500F reminds me of why the Olympus DS-330 is such a great voice recorder for both workstation-docked recording of telephone interviews and on-location voice recordings: a combination of great design for both stationary use and mobile use, and great software that handles every contingency for both the professional writer or general corporate user.

Drawbacks? The LiDE 500F is larger than the LiDE 20-80 series, a bit heavier, and a bit thicker. Note that it is almost exactly the same size as an Apple 17" Powerbook, so an Apple neoprene laptop sleeve for that PC fits it perfectly for slipping into your briefcase (if your briefcase is large enough). Just make sure you lock the platen down with the switch on the back before moving it to avoid damage. I've heard that the LiDE 500F is "noisy." It's not, really - no more than any other scanner. Just a low hum when scanning that disturbs nobody in today's noisy libraries, and virtually unnoticeable in any corporate office. I read somewhere that it is "slow." All scanners are slow compared to a high-speed copier, but the LiDE 500F's USB 2.0 interface boosts its performance considerably compared to the earlier LiDE 20/30/35 models that use a slower USB 1.1 interface. The speed of the LiDE 80 should be about the same, as it also uses a USB 2.0 interface. The trick to fast scanning is to limit your scanned resolutions to 300dpi or less. The file sizes will be smaller, and there's less work for your PC to handle for each scan.

If the LiDE 500F is too pricey or fancy for your needs, be aware that refurbished LiDE 20's and LiDE 35's are available today (April/2005) for a song - $30-$50! But they are limited by a slower USB 1.1 interface, lower resolutions for your photos, and don't have the built-in edge-standing office convenience of the LiDE 500F. Note that I have not commented on the quality of the scanning, color faithfulness, or sharpness. I also cannot comment on its long-term durability. To me, the LiDE 500F performs quite well and exhibits none of the weird patterning and faint lines that seem to plague similar slim-profile models from HP. Truth be told, HP printing and scanning products seem to have suffered from shabby quality and design in the past five years, and are no longer the unquestioned "safe bet" they once were. In contrast, the LiDE 500F certainly seems to be a safe bet for those seeking an ideal balance of performance and portability that desktop scanners have never before offered.

Excellent performance for the price
This is the first scanner I have purchased. Setup was easy, the scanner driver software is simple to use and very helpful if you want to do multiple scans - just scan once - it sends the image to the calling application and then returns back to the scanning page. Repalce your items on the scanner and scan again for the next page - this is pretty helpful if you have to scan a lot of items. My friend has a HP scanner (6210) which does not have this feature.

My first scanner was a defective one (gave calibration errors), but Canon replaced it promptly (in 2 days).

The film adapter is also present for your 35mm scans.

Actually this is the only scanner in the market that has so many positive features

- self powered
- high optical scan resolution
- 35 mm adapter
- IR dust detection and correction (works quite well in the Medium setting)
- very sleek and small - can be easily put in a laptop bag
- has a LED based illumination system unlike other scanners - this means no need to wait for the 'warm up'

So far I haven't had a single problem. This is an excellent buy! 5 stars.

What more could you want?
I am quite impressed with this scanner.My last scanner was purchased back in 1999; this new one is in a different league!Scanning is fast and easy and I'm quite surprised by the quality of the images.I've scanned 20 year-old photographs and the quality of the scans easily matches the orginal prints!

Set-up was easy with the USB cable (no power cord needed); it is lightweight with a sleek design; and the software is quite usable.I spent a few hours reading reviews on the Internet before I purchased this and I am convinced I made a good decision.You're not going to do much better in this price range!

Feature rich, mobile, quality - produce good scans for the $
Summary
+ Very mobile (no power cord uses USB connection for power)
+ Good quality
+ Plenty of useful software to get you started
+ Good resolution
+ IR image correction
+ Scans negatives (a 6 frame strip at once)
+ Small footprint, and 3 ways to setup the scanner on your desk.
+ Good match with the i950 printer.
+ No waiting for warm-up, just scan away.
(...)
+ Well matched with my I950 printer

- Slower than some of the $90 bulky scanners.
- Lower resolution than some of the bulky scanners.

*************************************************************************************************************
I purchased this scanner the day it came out (Jan 31 2005).(...)

There were more features, it was a newer product.So I gambled with the 500f and returned the LiDE80.
The reviews were mixed for the LiDE 80 to begin with.It seems that it's biggest asset was the slim profile.This attribute is compounded in the 500f since it can be setup "vertically".The footprint is minimized on the desktop.

The LiDE technology allows the use of LEDs to illuminate the object being scanned.Other technology uses a cathode/fluorescent tube.The advantages of the LEDs are that there is no warm up and thus no waiting.The life span is much greater for LEDs, and they are not damaged by movement or vibration.Though most cathode/fluorescent tubes can produce just as good a sometimes much better image quality, their lifespan can be shorter and power requirements are much greater.This technology is best realized if you will be moving the scanner, using it adhoc, or if you don't want to wait for a warm-up.LiDE is also what allows Canon to make the thing so thin (1").

The 500f scanner is rather slow at higher resolutions 2-3 sec preview and 30 - 40 seconds full scan.Other tube type scanners offer higher resolution with faster scan speeds for less money.These scanners are fine if you are not interested in the space saving aspect, and don't mind an initial warm-up.

The scanner does a good job at correcting minor scratches and dust on slides and photos.I think the over all quality is fantastic, not to mention the price.

The unit operates pretty quietly and is a good match with my printer (Canon i950 - which is incredible by the way).

The software offered is complete and allows you to really use the scanner.There is a simple tool which scans and saves - a tool for photo editing (feature rich I might add)- a tool for assigning actions to the 4 buttons (mail, pdf, copy, scan).The copy is pretty cool if you want the image to scan and go right to the printer to be printed.You also get a program which scans and converts image to text.If you were to scan the pages of a book the scan would be converted to text.I have not used this text recognition software yet, but it could be useful at some point.

A nice feature of the 500f over the 80 is the fact that you can scan a 6 frame strip of negatives at once.The 80 requires you to manually advance 1 frame at a time.If you're looking to archive negatives, or perhaps make reprints of your negatives, this is a really cool feature simply made better on the 500f.Other scanners offer the 35mm negative functionality as well...

I'm very happy with the purchase of this scanner.People that may feel it is lacking is those who are not in the market for a $109 scanner.If you want a really high end scanner you're going to be paying more than 2 times that amount.However; there are some scanners for less money that produce scans just as good but lack the features.

The scanner is only going to be as good as your printer; and for what I do, its a real bargain. ... Read more

Features

• New contemporary design 3.2 Megapixel digital camera with 2.2x Optical/3.2x Digital/7x Combined Zoom
• Extraordinarily fast shutter release with the Quick Shot function
• Canon Image Processor and iSAPS Technology for faster processing and excellent image quality
• New print/share button for easy direct printing and downloads
• Comes in four fun colors: Silver, Sky Blue, Lime Green, and Sunset Gold

Amazon.com Product Description

With its wide 50mm objective lenses and high magnification,these rugged, all-weather Canon Image Stabilizer binoculars are destined to set a new and higher benchmark for image brightness, clarity and ergonomic design.

Leave your tripod at home when you use the new Canon 15x50 binoculars. Canon has once again made its world-renowned optical image stabilizer more convenient to use on this all-weather binocular. With a push of a button, bumpy images are stabilized instantly for maximum viewing. Multicoated ultralow dispersion (UD) objective elements add contrast, clarity, and color fidelity. Housed in a rugged, water-resistant, and slip-free rubber body, these binoculars can be used in rain or shine, whether in a football stadium or on the high seas. Stargazing is also possible with these versatile binoculars. The 15x50 is greatly improved over the previous model, with a larger 50mm objective lens, more convenient operation of the optical image stabilizer, and optional antifog eyepieces. Two AA batteries power the device. Also included in the package are a case, neck strap, and eyepiece covers.

Image Stabilization and More
With any high magnification binoculars, most users will experience frustrating image shake. Unless fixed to a tripod, image shake can render high magnification binoculars useless. Canon's IS technology is remarkably effective at eliminating this problem and is widely used by the television industry with Canon's professional broadcast quality video recording equipment. A special VAP (Vari-Angle Prism) corrective IS system sits between the objective lens group and the porro prism on each side of the binoculars. Within thousandths of a second of the binoculars being moved from their optical axis by vibrations, a detection system activates the IS mechanism. The VAP shape alters to refract or 'bend' the light path by precisely the right amount, thus fully compensating for the vibration. It is this essentially immediate response that effectively suppresses image shake.

Super Spectra Coating
A number of optical factors affect the brightness of an image, including the amount of incidental light that is reflected by the lens. An uncoated lens will refelect away as much as 8% of the incidentail light, significantly dimming the image. Canon's Super Spectra Coating prevents that reflection.

What do the numbers mean?
15x50? 8x25? The two numbers used to describe any pair of binoculars are their magnification — 8x, 12x, 15x and so on — and the diameter of their objective lenses — 25mm, 36mm, 50mm, and so on. The larger the first number is, the larger the object will appear to be in the objective lens. For instance, if you use a 10x lens and look at an object that is 100 yards away, it appears to be the same size as an object located just 10 yards away. The second number, the size of the objective lens, is important because the larger the objective lens, the more light it can admit for brighter, more detailed images, and the better suited they will be for lowlight situations.

A look inside

Features

• This pair of binoculars from Canon are unique among high-magnification binoculars because they incorporate Canon's remarkable Optical Image Stabilizer technology
• The Image Stabilizer technology compensates for handshaking as well as minute vibrations at the touch of a button
• It also features 15x zoom to accommodate wide-ranging activities
• A 50mm objective lens for a wide, extra-bright field of view
• Multi-Coated Ultra-Low Dispersion Objective Elements add contrast, clarity & color fidelity

Reviews (3)

nothing short of spectacular
This is one of the finest optical instruments i ever bought. The Image Stabilizer works so fantastic and flawless you just don't wanna let this bino out of your hand. It even works while you watch from a driving car. You can make out license plate numbers from about 400 ft away. I also bought protective lenses which I use during daytime. When stargazing I realized some mirror effects from the protective lens - so just let those off during nightime. This is the most useful and inexpensive tool for stargazing. Even better than some telescopes for the same price. The AA at 2100 mAh last for about 3-4 hrs. Even with the IS shut off the optics are awesome - but with the IS engaged it is breathtaking. It is definitely worth to spend the extra money to get this system over any other w/o IS.

Great for learning basic astronomy
I bought these binoculars (along with "The Backyard Astronomer's Guide", "Touring the Universe Through Binoculars," and Starry Night software) to learn some basic astronomy. This has turned out to be a winning combination.

While these binoculars weigh 2.6 pounds, they have a very natural, comfortable fit in the hands and are easy to handle.

The image stabilization is amazing and really improves my ability to resolve stellar objects and surface details of the moon.

It does seem a little odd that Canon did not include front lens caps. However the 15x50s are threaded for 58 mm filters, so one can easily purchase standard lens caps. I bought a pair of 58 mm Canon lens caps which fit, although the heavy rubber armor leaves minimal clearance to operate the lens cap release buttons. With filters installed the lens caps fit exactly as they would on a camera lens with plenty of clearance to remove, even if wearing gloves.

Stellar Performance
These binoculars are spectacular. Point them at Jupiter and you see a bright dot wandering around in the field of view. Press the image stabilization switch and the planet and its moons instantly become visible. While they can't subtract all movement they do get rid of the little shakes that make hand held viewing so difficult. 15x is enough magnification that Saturn is obviously not round.

A complaint about earier versions of the Canon IS line was that your finger went to sleep holding the IS switch down. Now you can press it briefly to turn on the IS circuitry which will automatically shut off in 5 minutes. If you press and hold the switch it shuts off as soon as you release it.

I haven't had my pair long enough to comment on battery life but do see a problem changing them when they are mounted on a tripod. Unlike most binoculars where the tripod mounting is at the objective end where the two barrels rotate on the Canons it is at the bottom of the binocular near the center of the tubes which don't rotate. And the battery compartment is just in front of it so you can't get to it if the binoculars are on a tripod of have a quick release plate attached.

Since the lens barrels don't rotate intra-ocular distance is adjusted by actually moving the oculars. They are kind of stiff but that is good because they stay in place once you get them set.

The tripod mount is lower than the highest part of the lens barrels so if you have a big quick release plate like that of the Manfrotto (Bogen) 410 geared head (highly recommended) it presses against the bottom of the barrels and not the flat between them.

For some reason Canon doesn't seem to fell that the objective lenses need any protection as they don't ship lens covers for them. They do provide lens covers for the oculars but they pop off a lot because the eye cups are so soft. It looks like you need something like 69mm lens caps. They don't tell you in the manual but Canon sales says they are threaded to accept 58mm filters so you can buy solar filters for them.

I can use the binoculars with my glasses on due to the 15 mm eye relief but it is really easier to use them without the glasses.

They are heavy, ~2,5#, but if you support them on the heels of your hands very stable. ... Read more

Amazon.com Product Description

The Canon EOS Digital Rebel brings advanced digital performance and SLR controls to everyday photographers. Whether you're new to digital cameras, SLR cameras, or even photography itself, you'll find that the EOS Digital Rebel is powerful, yet fun and easy to use. It features a 6.3-megapixel sensor, automatic and manual controls, and compatibility with Canon's range of EF lenses. This model does not include a lens.

Optics and Resolution
A large-format, high-resolution CMOS sensor captures 6.3 million pixels to deliver up to 3027 x 2048 pixel images. Other resolution modes include 2048 x 1360 and 1536 x 1024. As it captures images, the sensor amplifies each pixel's electric charge, for ultra-fast image scanning. The large sensor also has a 3:2 aspect ratio, traditional to 35mm film, for a familiar compositional feel.

Canon's exclusive DIGIC image processor offers advanced signal processing algorithms that heighten precision and detail, smooth gradation in highlight areas, and create color reproduction that is as vivid as it is utterly natural. Additionally, the DIGIC's speedier processing improves the camera's battery performance, and adds to the camera's overall responsiveness and agility.

More Features
With the 1.8-inch LCD screen, you can zoom images from 1.5x all the way to 10x, moving up, down, left and right to see any area up close. You can even advance to the next shot in the enlarged view with no need to zoom again. The Digital Rebel also generates JPEG Small/Normal image files to make the image playback faster on the camera's LCD monitor.

Advanced controls will keep experienced photographers motivated and inspire beginners to flex their SLR skills. Creative Zone modes include A-DEP (automatic depth of field auto exposure) to set a "zone of sharpness," Manual, Aperture Priority AE to set the aperture, Shutter Priority AE to set shutter speed, and Program AE to let the camera select different shutter/aperture combinations while maintaining a constant exposure.

The camera's controls are intelligently arranged. A mode dial gives you easy access to shooting controls to make even one-handed shooting comfortable.

Other features include:

• Built-in, pop-up flash with an approximate 3-second recycle time
• Continuous shooting speed of approximately 2.5 frames per second with a maximum burst mode of 4 shots
• ISO speed range of 100 to 1600
• 7-point autofocus with the following modes: One-Shot AF, Predictive AI Servo AF, AI Focus AF (Automatically selects One-Shot AF or AI Servo AF selected according to shooting mode), Manual Focusing (MF)

Storage and Transfer
Images are stored on CompactFlash Type I or II memory card; the Digital Rebel is MicroDrive compatible. The Digital Rebel does not include a memory card.

Images can be downloaded to either a Mac or PC via USB 1.1, which means the camera can be connected to any USB-based Windows Me/2000/XP and Mac OS 8.6 or later computer without installing any software.

Power and Size
The camera is powered by a rechargeable lithium-ion battery (BP-511, included). It measures 5.6 by 3.9 by 2.9 inches and weighs 19.7 ounces (excluding battery).

What's In The Box
This package includes the EOS Digital Rebel digital camera, rechargeable lithium-ion battery pack (BP-511) and battery charger (CB-5L), USB and AV cables, and wide neck strap. It also comes with Adobe Photoshop Elements and Digital Camera Solutions CD-ROMs with imaging software and USB drivers for Windows and Mac. ... Read more

Features

• Dazzling resolution: the 6.3 megapixel CMOS sensor
• The speed to capture the shots that won't wait
• Perfect white balance for clear, true color
• Reproducing and sharing your images is as exciting as creating them

Reviews (123)

Fast and Fun
My wife and I recently decided to take the plunge into the "digital" photography world, but we were really concerned with losing the functionality for special shots that we had with our old Canon AE. The Digital Rebel was exactly what we were looking for! Talk about functionality. This camera does more than we could have ever hoped for in a digital unit. It's easy to manipulate, and is lightning fast. No waiting for the shutter and missing that important candid shot. The images are clear and crisp and download to the PC (or straight to the printer) in seconds. The ability to cary one camera that does it all from close ups, to portraits, to landscapes and sports shots is wonderful. With a 512MB CF card, you can hold over 150 high quality photos at once (over 200 at reduced levels). No worries with having to sort the good from the bad now. Just snap away and sort them out later.
Now we are simply waiting for a telephoto zoom lens and we will have all the still photo capablility we need in one handy little bag. Yes, it's a bit pricey, but well worth every penny!

Simply an Amazing Camera
If you've been using a digital point-and-shoot for a while and you want to upgrade, you couldn't do any better than this camera. If you can operate a high-end P&S camera, you can operate the Digital Rebel. Simply choose your shooting mode (i.e. closeup, landscape, portrait, sports, etc.), press the shutter button halfway down to autofocus, then press the button all the way down. First you'll notice how fast the autofocus function is: you won't have to worry about missing shots. Then you'll see the photos, and you'll be amazed. If you use the "Large/Fine" setting, you'll have files which easily be printed at 16"x20" without any discernible loss of quality ... try doing THAT with the photos from your 3MP point compact.

But wait, there's more.

You CAN use this camera as a fancy point-and-shoot... or, if you invest a little time and study, you can get creative. The Digital Rebel allows you to control aperature, shutter speed, ISO settings, white balance, autofocus points, etc. It also allows you to use any Canon EF (autofocus) lens -- over sixty at last count. Telephoto lenses, wide-angle lenses, macro lenses which allow extreme closeups ... you're limited only by your imagination, and your accessory budget.

If you already own a film SLR and want to go digital, you're going to love this baby... especially if you own a Canon autofocus SLR. You'll be able to use your old lenses, flashes, and filters, and you'll be saving money on film and developing. Professionals may want to spend the extra $600 or so for the Canon 60D; it allows a bit more flexibility with light metering and has a more sturdy magnesium body which will better withstand the rigors of photojournalism ... but this is more than enough camera for anybody who isn't going to be using it to earn their daily bread.

One last bit of advice: get this one fast. Based on the buzz it's generated in various photo magazines, I'm guessing that the Digital Rebel will be flying off the shelves. Buy now before you get stuck in backorder purgatory.

Great entry level digital SLR for the masses
I got this camera about a month ago. I have two other digitals that are great cameras but are so slowwwwwwww you just can't shoot action with them very effectively. This camera, for the price point, is a good deal. For those used to film SLRs you won't feel like a fish out of water and if you've already got canon EF lenses they should all work perfectly with this camera body (it can also take the newer EFS lenses). Because of the SLR like shutter system and TTL focusing this camera lacks some of the functions available on traditional point and shoot digitals--there is no preview mode, no movie mode, no digital zoom and no panorama/stitch mode; keep your old point and shoot (or buy one) for those functions. <br /><br />This camera is fast! The responsiveness is nearly up to a film camera (I should know I've shot with film cameras for years). This camera offers 2.5 fps (in full quality mode) or 4 fps (in lower quality mode) continuous shooting--no point and shoot that I know of can match that--this is truly a low end professional digital slr body. The 17-55mm lens that comes with it is great for nearby shots such as at parties or when your subject is no more than 20 feet away. <br /><br />I suggest two other lenses for this camera that you won't want to be without. The Canon 28-135 IS USM III zoom and the 75-300 USM zoom (also available with IS if you want to spend the extra money). IS is a wonderful invention and gives you clear handheld shots at some amazingly slow shutter speeds (IS is a gyroscopic system in the lens that accounts for camera shake during the shot--really amazing what it can do). The 28-135 lense is widely considered the best "walk around" lense for just about anything. The IS system does suck batteries so I'd suggest you get a couple of extra batteries right away (ebay has the best price for them). If you can't afford a 20D this is the next best thing. The Rebel is really a striped down 10D, so if you're waffling between this and the 10D--I've heard the differences aren't really worth the extra money. The other big purchase you want with this camera is a 550EX or 580EX speedlight. The Rebel lacks IR focus assist but if you have one of these speedlights the camera can use the IR assist on the flash unit!!!!! <br /><br />I use my rebel to shoot Karate demos, lots of fast action, usually indoors. I think the 20D would be a better choice for this (because of the bigger buffers while writing to the CF card) but the Rebel can hold its own fairly well if you think out your shots a bit more. I'm really happy with this camera and I'd recommend it to anyone that wants to move up to a digital slr but doesn't want to spend ten grand doing it. The camera has a few foibles and professionals might complain that some of the pre programmed modes are far too limited--but that's because it's cheap--the 20D will be more satifying if you've got the money for it. Canon's running a pretty fantastic rebate until mid January, if you buy a Rebel and two lenses you get about $300 back just on the camera and around 50 bucks for each lens. Yep I spent about $1600.00 on the camera and two lenses but that's quite a deal for all I got.<br /><br />I recommend this if you don't have the money for a 20D, if you do, or are close to having it, wait and get the 20D.

Great Camera....High End Fun.
I purchased this camera about 6 months ago, it's a great camera and I haven't had 1 problem with it. I bought a few accessories..EX420 Flash, Canon 75-300 lens (there least expensive one, USM & IS wasn't an issue me)
lt's fast in auto focus. Purchased the battery grip also. Camera looks good, the grip helps with vert. shots and you have a slot for a second battery. Bought after market battery for $9.99 instead of $49.99 for OEM (look @ EBAY for batteries). If you purchase this camera you'll be very satisfied!

C'mon, join the revolution... it'll feel real good!
I have been intrigued by this camera since its release. My old camera is a Canon PowerShot S30 (3.2MP). I wanted to buy an SLR to advance my photography skills and capabilities. When this beauty came along bearing a price tag under $1,000 and received prestigious acclaim I knew I wanted one. But I decided to delay for a few months, waiting to see what competition would arise, and how quickly the price would drop. That competition presented itself as the Nikon D70. Ultimately, I decided to get the D-Rebel because the price-to-quality ratio is exceptional; the ~$300+ more for the Nikon doesn't seem justifiable for what I think are negligible factors. Besides, my PowerShot has served me well and I'm used to the Canon system.

I've played with mine in the field for two days. Last weekend was my introduction day and I made a lot of mistakes -- camera shake, off-focus, underexposure. Today I went back to the same spots [in similar weather] and received much better results by using my tripod, setting the exposure compensation to +1/3 (most of the time) and sometimes forcing a longer shutter than 'auto' suggested. My photos went from dull to incredible with a few easy adjustments. If your photos come out poorly always exhaust the manual solutions before blaming faulty camera construction.

If you're moving up from a [Canon] SLR, many of the characteristics of the D-Rebel will be familiar. If, on the other hand, you're used to a P&S like myself some things will be awkward. For example, using the viewfinder instead of the LCD monitor to compose shots; using the Main Dial and LCD panel to implement settings; and manual focusing. My PowerShot allows manual tweaking, but it is usually easier to let the processor handle certain functions. The SLR is different -- it invites you to play.

I have read complaints about the camera's construction. Indeed, it is an all-plastic body, whereas the D-Rebel's big brother, the 10D, is magnesium alloy. But I think this will be an insignificant point for most people; the plastic body is sturdy enough to handle a day's work. It has a nice firm rubber grip on the right side. A friend has an EOS Elan 7 (n or ne) and the weight is approximately the same.

I also know some people don't like the fact that the D-Rebel uses the flash as an AF-assist lamp -- particularly because once the flash pops it will take a flash exposure. But the solution is simple enough: push the flash back down. The camera automatically re-evaluates the shutter speed, maintains focus and takes the shot. You will need to have it on a tripod for the shot to be successful, though.

After a lot of reading and searching for components to make up a great system, I ended up buying: Rebel with 18-55mm lens; EF 55-200mm II USM lens; 1 Gb Sandisk Ultra II CompactFlash; 420EX Speedlite flash; Sto-fen Omni-Bounce diffuser (for 420EX); Tiffen 58mm Deluxe Enhancing Filter Kit; Samsonite Worldproof 3.2 Download SLR bag; Tamrac Small Lens Case. (I wrote a review for the Samsonite bag. I think it's fantastic for carrying all my gear. I use the Tamrac bag when I want to travel light.)

Here's a stupid mistake I made that I'd like to enlighten others to, so that they may avoid doing the same. When I first tested the camera most of my shots were indoors and required the flash. In many of those shots I noticed a black blob. I thought maybe my flash was defective. The manual says there are certain conditions where the flash may be obstructed. My solution was simple enough: two of my fingers were in the way. With my PowerShot, I had become used to lifting my ring and pinky fingers away from the flash and lens so they would be out of the way... now doing it put them in the way of the flash. Sometimes the simplest answer is the right one.

Here are two things I feel quite fortunate to have learned (i.e., stumbled upon), as I did not read this in any review.
(1) When using a [Canon] digital SLR you need a "Type II" lens. Lenses have always induced aberrations of light, which would create 'ghosts' and other weird things. But 35mm film is produced with a coating that prevents them. When you use a D-SLR, however, that coating is not on your sensor, so those light artifacts appear again. So Canon created the "Type II" lens, where the aforementioned coating is on the glass. The only problem is that there are only a handful of these lenses at this point. Unfortunately, this dramatically weakens Canon's claim that you can use "over 50 lenses" on your D-Rebel. While technically true, you probably wouldn't like the results. (Popular Photography magazine ran an article about this, which is on their site.)
(2) Don't fall for tricky CompactFlash advertising. I bought several Viking Components CF cards for my PowerShot. They always worked well and I almost bought a big one for my D-Rebel. Then I considered the Lexar "40x" because they have a good reputation. "40x" sounds good, eh? The Sandisk Ultra II works at 60x! At the Large-Fine setting, this will save you one-third second of write-time. That is big when you think about action photography. The Sandisk card can write 3 images when the Lexar can only do 2. The Vikings are worse; they can't even write one image/second!

I am exceptionally pleased with my purchase -- not with just the D-Rebel, but the whole system. It pays to do your research and decide what's right for you. Personally, I think I put together an excellent 'amateur SLR' package that will allow me to grow and explore for a long time. Hopefully you will feel the same with a D-Rebel over your shoulder. ... Read more

Features

• 5-megapixel sensor captures enough detail to create photo-quality 13x17-inch prints
• Exclusive Canon DIGIC Image Processor and iSAPS technology allow faster processing speed, excellent image quality, and vibrant colors
• Includes five new Scene Modes and a Print/Share button for greater ease of use
• Intelligent orientation sensor automatically rotates images for playback
• Four novel colors with refined surface finish are the ultimate in camera couture

Features

• Maximum 4,800 x 1,200 color dpi resolution
• Up to 25 ppm black, 17 ppm color; dual paper path with 2-sided printing
• Borderless 4-by-6-inch photos in about 36 seconds
• ContrastPLUS ink system for true-life photos and laser-quality text
• 802.11g wireless, USB, and PictBridge interfaces

Features

• MiniDV camcorder and still camera with 2.2-megapixel CCD
• 14x optical zoom lens (digital zoom to 280x) and image stabilizer
• 2.5-inch LCD with 180-degree rotation
• Capture low-light recordings with Night Mode and record in 16:9 format
• Record for up to 225 minutes on one battery charge

Reviews (5)

A GREAT camera!
Most of the negative comments I read about the camera are from people that don't know how to use the camera. It takes a little time to go through the menus and read the cryptic (non-detailed) manual. And, not all the features are described in the manual.

- The camera does very well in low light indoor situations if you put it in "Indoor" mode.

- I barely noticed the camera motor noise during quiet scenes. I think the only reason I noticed it is because I was listening for it.

- The camera fits very nicely in my hand, with the strap and zoom switch in just the right positions.

- This is my first digital camcorder and it was very easy to learn how to use the basic features. Some of the advanced features took some trial and error to figure out.

- My only disappointments were that it did not come with a tape or firewire, the manual is poor, and the included 8MB card is ridiculous (buy a 256 or 512).

I did a lot of research before selecting this camera, and I am confident I made the right choice. I would have given it 4.5 stars if I had the option.

After small Adjusts, the 40 Rocks!
The Optura 30/40 has two default settings that need to be changed. The first is that in Easy and Auto modes, shutter speed can be a slow as 1/30 second. This causes video to blur, ghosts with fast movement, and blur (grain?) in low light. Go to Auto Slow Shutter (A.SL.Shutter and turn it OFF). The shutter speed will be no slower than 1/60, creating much sharper video.

The second is that audio is defauted to 12 bit. Change this to 16 bit for better audio.

I am extrememly pleased with my Optura 40. It's great in low light, is user friendly, stabilization works well in both 5:4 and 16:9 modes, and the 14X optical is all I'll ever need. The quality of the video and audio is great. It's comfortable in my hand and feels "solid". I like it being a top loader since I use both a monopod and tripod when I can.

Negatives include: In 5:4 mode, tele isn't wide enough (but is fine in 16:9), the cover for the S-video jack seems cheap, and I wish it had optical stabilization. However, it does have better stabilization than my Nikon Hi8 camcorder that has optical stabilization--so it has excellent electronic image stabilization. Also, the 34mm filter/adapter size is unusual. However, step up rings are available (e.g. 34mm to 37mm)and with the fast selling Opturas 30/40 and Eluras 60/65/70 having 34mm filters, I suspect that they're be plenty of 34mm filters available shortly.

A Disappointment!
As many camcorder fans, I was excited by the Canon Press Release about Canon Optura 40 Camcorder, pre ordered it and received it late May. After opening the box, the camera looks great: compact, slick, nice looking lens. However, after a couple of time trial shootings, all these nice impressions were gone for good! A few Major disappointments:
1) Poor video image. The video image has too much "digital" jaggies both in regular daylight and lower light environment shooting. When you play back on the TV, you see the "fluttery" effect all the time. When you pause the image, the jaggies are very obvious and horrible. This is even worse when you shoot in the low light environment.
2) Noisy zoom lever. The zoom lever on the top on the camera body was not a well made (or designed) part. When you zoom in & out using the lever, the noise is very obvious and annoying. This noise was clearly recorded heard from the tape when you playback.
3) The still camera quality is less than a regular 2.0 MP digital camera.
4) The strap that holds your hand of video filming is not in the right position to make your hand comfortable.
5) The 2.5" view LCD screen has too much info displayed and this made the small 2.5" LCD very noisy.

I contacted the Canon USA for my questions. No clear answers were given about the image quality. I compared Optura 40 with Panasonic PV-GS200, the Panasonic has far more better video image quality. Big disappointment for me.

Superb camera
The camera has superb color rendering. Also has a true 16:9 CCD - recordings look truly remarkable on my widescreen TV. I had no shutter issues whatsoever.

the jury has returned with a verdict
I pre-ordered this camera and got it the day it was "released" (5/20), thank you Amazon. Overall the feature content is pretty slick but I have a few issues I need to investigate before I declare that I am in love with this camera or that I am disappointed.

My big concern is that I see a very strange effect when I am mildly zoomed on a subject and the subject is moving around. I see a "fluttery" effect as though the shutter is too slow for the action. It gets really bad at times and is really annoying. I am not sure if the camera (in its "auto-everything" mode) is attempting to adjust to the change in the subject but whatever it is its not good. I will follow up with Canon to determine what the issue is to see if this is a feature of the camera, if my camera is defective or if I am not using it correctly.

I did a side by side comparison with my old Sony DCR-TRV20. The Canon's image at times shows off the 3x more effective pixels and is generally brighter than the Sony but again I am not totally blown out of the room with improvements with the Canon. Low light is a problem and it generates grainy pictures.

Update: june 13, 2004

I noticed the review where the guy mentions the "auto slow shutter" control. BINGO. Barring this strangeness that is now solved, this camera is excellent. In my opinion the video quality is more film-like than video. I assume this is due to the high number of pixels.

As far as the still image feature goes, I've taken really good and really bad shots. Its all about holding the camera still and in my opinion its a little challenging considering the location of straps and buttons on this camera for still shots. None-the-less, if you take your time and think about it, you can get some great stills.

Great Camera. ... Read more

Product Description

2.2-megapixel CCD * advanced DIGIC DV image processor * RGB primary color filter for accurate color * high-resolution 16:9 widescreen video mode * digital photo mode * built-in flash with red-eye reduction * photo resolution options: 1632 x 1224; 1280 x 960; 640 x 480 * 2-1/2" color viewscreen * ... Read more

Features

• 2.2-megapixel CCD
• advanced DIGIC DV image processor
• RGB primary color filter for accurate color
• high-resolution 16:9 widescreen video mode
• digital photo mode

Reviews (1)

Not bad given the other options
I was looking for some very specific features when I bought this camera (I actually bought an Elura 90, used it for a week, and switched to the Optura 50 for the S-video I/O.) I'm a strictly family documentary person -- most of my videos are done at home in poor light and using the widest angle settings.

This was my list:

mac iMovie compatible
light sensitivity (good images in dim home lighting at night)
analog to digital conversion w/ S-video I/O
reliable, tough - ideally made in Japan
wide-angle for images taken from 4-12 feet
quiet motor
warranty & service (1 yr base, 2 yr when extended by my AMEX card)
price comparisons include travel charger & extended life battery
image quality
focus capability - ideally a manual focus ring
16/9 ratio playback ok
sensor: 2mpix, 1/3.6 ccd
external mike jack
top loading

Overall the Optura 50 meets most of the items quite well. I think the indoor image quality is pretty good; better than the Elura 90. Not as light sensitive as my old SONY Hi-8, but it's far smaller and lighter. This was my biggest concern, but I think the camera passes this one. The best results come with 3 CCD cameras with larger sensors -- typically costing $3,000 or so.

Canon includes a ridiculous, worthless, still image camera. Sigh. (I have two fine Canon still cameras.) What a waste. They do, however, also include an S-video for higher quality analog I/O (you have to buy your own S-video cable though!). The 2005 Eluras now lack this feature (arghh).

The Optura 50 doesn't have enough wide-angle range for my tastes (I still do 3/4 capture as my iMovie s/w expects that) but it does better than the Elura 90. It's probably as good as one will get nowadays.

Mac OS X compatibilty is excellent. The manual is sparse but adequate. Digital passthrough is tricky to figure out (read the manual carefully) but it works well.

The camera is indeed made in Japan and it feels reasonably robust -- as much as any competing device. The charger is compact, but I bought the reasonably priced very nice travel charger and an extended life battery. ... Read more

Features

• Professional 3-CCD DV camcorder with open architecture design for cinema attachments
• 20x optical zoom lens, XL interchangeable lens system
• Color viewfinder, interchangeable with optional professional monochrome viewfinder
• 16:9 widescreen and 4:3 ratio, 3 selectable frame rates: 60i, 30p, and cinema 24p
• Powered by rechargeable lithium-ion battery pack

Product Description

The Rebel K2 incorporates many of the most sought after attributes of the market leading Rebel Ti model including Canon's premier 7-point wide area AF system, lightning-fast shutter speeds up to 1/2000 of a second, and 35-zone AF-linked evaluative metering that optimizes exposure accuracy. Compact and feature-packed, the Rebel K2 is a stylish, ergonomically streamlined, lightweight camera that yields heavyweight results. Weighing in at a mere 12 ounces, the new K2 is extremely compact and light, with advanced ergonomic design that makes single-handed operation a snap.A step-up from (and a step quicker than) Canon's entry level EOS Rebel GII, the EOS Rebel K2 features fast autofocus and film advance permitting users to shoot at 1.5 frames per second, 50 percent faster than the GII. Tracking and keeping moving subjects in focus is a breeze thanks to the Rebel K2's AI Servo AF mode and seven point selectable autofocus system (with focusing points superimposed on Canon's glareless new laser matte focusing screen). Users can also opt for manual focusing point selection by simply pressing the Focusing Point Selector and rotating the main dial until the preferred focus point is indicated below the picture area in the viewfinder data display, or on the large, easy-to-read LCD data panel on the back of the camera.Like the Rebel Ti (K2's senior sibling), this newest Rebel anticipates virtually any common shooting circumstance and offers photographers fast and easy a ... Read more

Features

• Standard 28 to 90 mm (3.2x) zoom lens with quiet ultrasonic motor
• 35-zone metering system linked to 7-point high speed autofocus system
• 12 shooting modes including 7 programmed image control modes
• Advanced E-TTL flash metering system
• Futuristic styling, innovative control layout and large LCD panel

Reviews (2)

La mejor de su clase
Soy un principiante en esto de la fotografia, despues de tener una camara 110 salte a esta maravilla, tanto sus funciones automaticas como las profesionales ofrecen un desempeño excelente, he tomado mas de 300 fotos en poco menos de cuatro meses, el zoom que tiene es rapido, los botones tienen una disposicion excelente pata manejarla con una sola mano, lo unico que necesita es un flash de la serie speedlite, para disfrutarla totalmente en condiciones de poca luz, ya que el flash que trae carece de potencia(no le podemos pedir mas a un flash integrado), la recomiendo ampliamente!

A great camera
This is the new version of the EOS Rebel 2000 (they called it "K2" instead of "2K", I suppose in order to avoid giving the impression that the camera is 4 years out of date, which it is not).

It is simply a great camera at a great price.It works as well as any 35mm camera on the market, has a reasonably fast winder, and best of all it takes all of the huge variety of EF Canon lenses.It is actually very light, so you can carry it around without fatigue, or you can bulk it up by adding the extended grip (which gives it a very nice feel).

The zoom lenses are a little slow.I recommend that you get the body only, and start with the 50mm f/2.8 MKII lens, which is a steal at about $70.Together, they make an outstanding, affordable, high-quality package for those of us who still love film more than digital. ... Read more

Product Description

The Bar Has Been Raised - The perfect EOS for advanced-amateurs and professionals alike, the EOS 20D sets new standards in its class. Featuring an all-new 8.2 MP CMOS Sensor, a second generation DIGIC II Image Processor, 5 fps performance for up to 23 consecutive frames and a 0.2 second start-up time, the EOS 20D is designed to capture richly detailed, perfectly exposed images with speed formerly found only in cameras several times the price. Other features include a top shutter speed of 1/8000 sec., flash sync at 1/250, a new high-precision 9-point AF System, a built-in multi-controller for fast focusing point selection and a refined magnesium alloy body, for rugged, go anywhere photography. Canon EF-S 17-85MM f4-5.6 IS USM Lens - Equivalent to a 28-135mm lens, this new EF-S lens brings true wide-angle to tele coverage to EOS 20D. It has Canon's Image Stabilization system, allowing safe hand-holding at speeds up to three stops slower than otherwise possible. And of course, it's optically optimized for digital SLRs. A ring-type USM means both fast and silent AF, as well as full-time manual focus when in the AF mode. This combination of camera and lens is trully a matched set. Additionally, the EOS 20D is compatible with not only Canon's new EF-S Lenses, but with the entire EOS System of lenses and flashes. ... Read more

Features

• Second Generation 8.2 Megapixel CMOS Sensor with DIGIC II Image Processor for still images with up to 3520x2344 resolution
• Professional Level High-speed Continuous Shooting
• 9-Point High-precision AF with New Multi-controller
• Enhanced Color and White Balance Settings
• Rigid Magnesium Alloy Body for Outstanding Durability

Reviews (1)

The Digital Camera All Others are Measured by
For what seems like forever, my gal pal Sara and I have been using a pair of EOS 10qd's I picked up in Hong Kong several years ago. We'd squandered a small fortune on a whole batch of "L" lenses, but we'd never upgraded our camera bodies, I guess because the silly things just refused to break. They just kept right on taking picture after picture, year after year. Oh when was the harsh, ocean going, corroding weather of the Caribbean going to wreak havoc on these cameras, so we'd have an excuse to go out and buy something new. Apparently never. Canon builds good stuff.

Then one day Sara told me she wanted to be a two camera body girl, and she wasn't gonna count that tiny little Olympus digital she kept in her backpack that we used to grab quick shots for boating magazines. She wanted a new body and a film scanner, too.

So we laid out the big bucks and got her an EOS-1V and me, not wanting to be left out, got a digital 20D, because I was just plain tired of being looked down on by these professional sports shooters with duel digitals hanging off their shoulders. So now we're both two camera body people, she's got the best film camera ever made and I've got the best digital camera ever made. And we both have a ten year old 10qd as well. Canon, you can't go wrong with them. They are the standard all others are measured by.

Jack Priest, Sailor Home from the Sea ... Read more

Amazon.com Product Description

Canon raises the stakes for all-in-one digital imaging devices with the release of the Canon Optura 500 (and the companion Optura 400; see a comparison table at the end), which is as adept at shooting digital video as it is snapping high-resolution digital stills. Shorter and more lightweight than its predecessors, the brushed silver Optura 500 weighs just 1.2 pounds with tape and battery and measures 2.1 x 4.2 x 4.0 inches. Like its sibling, the Optura 500 offers 2.2-megapixel resolution for fine video and photo details, a 10x optical zoom lens, image stabilization, built-in SD/MMC memory card slot, and PictBridge compatibility for direct printing of still photos to compatible printers. The Optura 500 also adds a higher resolution LCD, mini video light, ring light adapter for close-up shots, MPEG4 video for email and Web, and USB 2.0 conne